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Vous avez sélectionné:
Space Between
Partitions à imprimer
396 partitions trouvées
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Space Between
Space Between
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Piano seul
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INTERMÉDIAIRE
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Andy Dodd, Shayna Mordue, Step
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poon
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Space Between
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poon
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1330334 Composed by Andy Dodd, Shayna Mordue, Stephen Mark Conley, and Tyler Shamy. Arranged by poon. Film/TV,Pop. Score....
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Piano Solo - Level 3 - SKU: A0.1330334 Composed by Andy Dodd, Shayna Mordue, Stephen Mark Conley, and Tyler Shamy. Arranged by poon. Film/TV,Pop. Score. 6 pages. Poon #918215. Published by poon (A0.1330334). Space Between - from Descendants 2 - For Piano Solo With Lyrics.
$4.99 ≈
4.66€
The Spaces Between Us (Score and Parts)
The Spaces Between Us (Score and Parts)
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Orchestre à Cordes
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AVANCÉ
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Amy Dunker
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The Spaces Between Us
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Amy Dunker
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.969861 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 60 pages. Amy Dunker #5902575. Published by A...
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String Orchestra - Level 5 - SKU: A0.969861 Composed by Amy Dunker. Concert,Contemporary. Score and parts. 60 pages. Amy Dunker #5902575. Published by Amy Dunker (A0.969861). The Spaces Between Us was written during the early stages of the 2020 COVID-19 pandemic. Fear and angst compounded by social distancing created a dark cloud over the lives of people clamoring to make a life during this complicated time. Duration: 14:00
$40.00 ≈
37.33€
Harmonic Spaces (four-hands piano)
Harmonic Spaces (four-hands piano)
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2 Pianos, 4 mains
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AVANCÉ
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Contemporain
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Paul SanGregory
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Harmonic Spaces
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Distant Engraver Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Publ...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.977034 Composed by Paul SanGregory. Contemporary. Score. 29 pages. Distant Engraver Music #3536815. Published by Distant Engraver Music (A0.977034). Each of these four short pieces has its own character, color and rhythmic flow. Because the interplay between parts is sometimes complex and challenging, they can provide wonderful ensemble workouts for performers as well as fun and exciting musical experiences for audiences. The title Harmonic Spaces refers to both the idea that they are musical spaces filled with colors and characters as well as to the widely-spaced harmonic intervals upon which those aspects are built. Each movement is based on one or two wide intervals that mimic the spacing of overtones (or partials) in the harmonic series. This approach allowed the composer to produce unique harmonies, colors and atmospheres. For listeners, of course, knowledge of these intervals isn't important, even though the colors, characters and atmospheres they produce is. Each movement is described briefly below: I - Simply and gracefully moving forward. (9th and 3rd partials)This gently flowing movement is a slow progression of widely-spaced chords with gracefully rising and falling strings of notes woven in and around them. The chords often appear in groups of two, with the second being quieter, like an echo of the first. That creates a sense of harmonic space within which the delicate lines move in and out of agreement with the chords.II - With a steady, even flow (or groove). (7th and 5th partials)The harmonic partials of this movement are what give dominant 7th chords their characteristic sound and function. Furthermore, because 7th chords are an important part of jazz harmony, jazz influences enter into this piece. Listeners may notice the outlines of gliding 7th chords, swinging meters and syncopated rhtyhms reminiscent of jazz.III - Gentle, flexible, but rhythmically accurate. (11th Partial)This movement unfolds slowly like a quiet summer afternoon under a shade tree watching lazy clouds. Because the 11th partial is a note that falls between the cracks of the piano keyboard, both the perfect 4th and augmented 4th (in very wide spacing) are used to approximate it. Although this creates some non-traditional harmonies and non-chord tone effects, the piece is tranquil, peaceful and beautiful. IV - With precision, energy and excitement. (13th Partial)This energetic finale uses much syncopation and rhythmic interplay as well as wide-ranging arpeggios that get shared between the two players. The primary interval often appears as widely spaced parallel motion, which adds a special color or flavor to the rhythms. The result is a joyful romp in a playground of rhythm, color, motion and contrast. (duration of all four pieces is ca. 12 minutes) This work was funded by the National Culture and Arts Foundation of Taiwan (ROC)
$10.00 ≈
9.33€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.72€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
23.32€
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May”. Like springtime in the Northern Hemisphere, “Almost May” unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.79€
Interstellar
Interstellar
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00 ≈
4.67€
Sad Dreams #1
Sad Dreams #1
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Kojiro Yuan
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Sad Dreams #1
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Kojiro Y
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by ...
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Solo Guitar - Level 3 - SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by Kojiro Y (A0.1032373). Sad Dreams #1 is one of my Solo Guitar Compositions. It depicts the sad dreams created by the human mind. Every phrase and section expresses different sad dreams of the human mind. This piece is suitable for Classical Guitar players at the Intermediate Level. It contains arpeggios, scales, 2 part harmony, 3rds, 10ths and more. This sheet music of it contains tempo markings, dynamics, ritardando, etc. The fingerings for this piece can be adjusted to suit the needs and abilities of the individual Guitar Player. The recommendation is to use open strings when possible to give the Left-Hand space to relax between the notes and to keep the shifts of the scales to a minimum. The recommendation also is to use Right-Hand Fingerings that are natural and fit the space between the strings.
$12.00 ≈
11.20€
New Tango No. 1: Movement
New Tango No. 1: Movement
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Ensemble Jazz
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AVANCÉ
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Roger Aldridge
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New Tango No. 1: Movement
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #1...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #119381. Published by Roger Aldridge (A0.979627). New Tango No. 1: Movement (for jazz soloist, 5 wind instruments, and rhythm section) is an abstract piece. Inspired by the tango, it invokes dance movement as well as explores movement in and out of time in the music. The soloist's part is entirely improvised. The rhythm section goes between time and free-time. The soloist cues the rhythm section on when to make time and harmonic changes. The background ensemble is in free-time with each note conducted. During solos the background ensemble can improvise interactions with the soloist. This piece is highly dependent upon the soloist and ensemble to bring the music to life and take the audience on a journey. Space and understatement are important features of this music. The open, floating free-time melody and the space between its phrases enable the rhythm section to have a prominent role in playing layers of lines, textures, and colors. Using accordion and guitar (along with piano, bass, and drums) is highly recommended. A string instrument(s) such as violin or cello can improvise additional layers with the rhythm section. One of my essential concepts in this piece is for the ensemble to have the sound of a tango band (as closely as possible); however, the music has a great amount of freedom. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at NEW TANGO NO. 1: MOVEMENT PARTS (S0.84827). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00 ≈
9.33€
Mystic Space - Ambient Piano
Mystic Space - Ambient Piano
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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James Michael Stevens
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James Michael Stevens
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Mystic Space - Ambient Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 ...
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Piano Solo - Level 3 - SKU: A0.573205 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age. Score. 4 pages. James M Stevens Music ASCAP #5011245. Published by James M Stevens Music ASCAP (A0.573205). Written December 22, 2019, this is a minimalistic piano composition written in a reflective and mystical style with some light ambient orchestration. The key is somewhat ambivalent and model with a mixture between D minor (aeolian), A phrygian, and B flat lydian. Wrote it just for a change of pace before I work on some commissions. Hope you enjoy this deep space meditative piece!
$3.99 ≈
3.72€
Space Oddity
Space Oddity
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Piano Facile
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DÉBUTANT
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Rock
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David Bowie
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Nicholas Goulding
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for beginners
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Space Oddity
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Nicholas Goulding
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.887549 By David Bowie. By David Bowie. Arranged by Nicholas Goulding. Pop,Rock. Score. 4 pages. Nicholas Goulding #356128...
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Easy Piano - Level 1 - SKU: A0.887549 By David Bowie. By David Bowie. Arranged by Nicholas Goulding. Pop,Rock. Score. 4 pages. Nicholas Goulding #3561283. Published by Nicholas Goulding (A0.887549). David Bowie's 'Space Oddity' as arranged for easy piano. Simplified rhythm and large print make this arrangement ideal for beginners.The melody is shared between the treble stave and the bass stave, so have a look through the piece to determine which notes are part of the main melody. It is recommended to use the Right Hand for this melody regardless of which stave it appears in. There are bass tones for the Left Hand to play throughout the piece - in most cases each bass tone matches the chord symbols above. Here's an idea - get a guitarist on board to provide some rhythmic accompaniment. There are chord symbols throughout the piece so a good chord-reader will know what to do. Instant duet.
$4.99 ≈
4.66€
Blank Space
Blank Space
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Piano Facile
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DÉBUTANT
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Pop musique
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Taylor Swift
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Nicholas Goulding
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Blank Space
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Nicholas Goulding
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.887552 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Nicholas Goulding. Pop. S...
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Easy Piano - Level 1 - SKU: A0.887552 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Nicholas Goulding. Pop. Score. 5 pages. Nicholas Goulding #3563373. Published by Nicholas Goulding (A0.887552). Taylor Swift's 'Blank Space' as arranged for easy piano. The key has been changed and the rhythm simplified to make this more accessible for beginners.The melody is split between the two staves to emulate both the lows and highs of Taylor Swift's voice. Whenever the melody is in the bass stave the stems are up, indicating that you should use your right hand for these notes. Throughout most of the piece, the left hand should be used to play those low fifths in the bass stave.The tempo marking is just a suggestion, feel free to play at whatever pace that allows you to remain in control.
$4.99 ≈
4.66€
Searching Space
Searching Space
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Jonathan Hart
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Searching Space
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Jonathan Hart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1026054 Composed by Jonathan Hart. Contemporary. 14 pages. Jonathan Hart #5777755. Published by Jonathan ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1026054 Composed by Jonathan Hart. Contemporary. 14 pages. Jonathan Hart #5777755. Published by Jonathan Hart (A0.1026054). This setting for SATB choir with piano accompaniment features lyrics that describe some elements of the majesty of space. The accompaniment is wistful at times and the piece features some use of changing time signatures. The harmony constantly shifts between the major and the minor and the singing range should be suitable for most adult SATB choirs. The piece will take just over three and a half minutes to perform and could be performed in a building with a generous acoustic.
$10.00 ≈
9.33€
Between Times for clarinet, viola and piano
Between Times for clarinet, viola and piano
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Panagiotis Theodossiou
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Dmitri Shostakovitch
IV
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Between Times for clarinet, vi
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Panagiotis Theodossiou
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Stand...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685). Between Times Time past and time future... for clarinet, viola and piano (2017) op.73Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style. Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. (T.S.Eliot, Four Quartets)Τα μέρη:I.Adagio misterioso (Outer Space, Gravity Zero)II.Allegro (Into a time vortex)III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri ShostakovitchIV.Andante rubato (Tranquillity Nebula) to Olivier MessiaenV.Allegro (Gravitational Disorder) to Keith EmersonVI.Adagio misterioso (Eternal Present)Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).
$30.00 ≈
28.00€
La Philippine by CPE Bach
La Philippine by CPE Bach
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Guitare
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Classique
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Philippine by CPE Bach
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Eric J Roth
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SheetMusicPlus
Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Er...
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Solo Guitar - SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
$2.99 ≈
2.79€
Drizzle
Drizzle
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Piano Facile
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INTERMÉDIAIRE
#
Joshua Sharo
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Drizzle
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Joshua Sharo
#
SheetMusicPlus
Easy Piano - Level 3 - SKU: A0.957950 Composed by Joshua Sharo. Contemporary,Standards. Score. 3 pages. Joshua Sharo #3096349. Published by Joshua Sharo...
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Easy Piano - Level 3 - SKU: A0.957950 Composed by Joshua Sharo. Contemporary,Standards. Score. 3 pages. Joshua Sharo #3096349. Published by Joshua Sharo (A0.957950). Practice Tips: In order to play this piece, you must be able to play repeated notes quickly and be able to play with your hands on top of each other. The right and left hands overlap intentionally. Measures 3, 16, and other similar passages require only the thumb of the right hand to be underneath the left hand: this should lead to the thumbs of both hands being close to interlocking. Measure 7 and other similar passages, however, are easier if you place the left hand below the right hand. Perhaps the hardest part of the piece is measure 26. Throughout the piece, short staccatos are essential to clearly hearing the repeated notes between the hands. In this particular measure, you must worry about both the repeated Fs and the repeated B-flats. I suggest placing your right hand underneath your left and using the fingering 2-3-4 to make the space between the hands a little less crowded.
$1.99 ≈
1.86€
The Space Between
The Space Between
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Piano, Voix et Guitare
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Rock
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Dave Matthews Band
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Rock
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The Space Between
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Dave Matthews Band. Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Dave Matthews Band. Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.66€
Space Between [easy] by Marc Piano - Piano Solo
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Piano seul
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FACILE
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Marc Piano
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Space Between [easy]
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Musicnotes
Sheet Music for Space Between [easy] from Descendants 2 arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Space Between [easy] from Descendants 2 arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes.
$3.99 ≈
3.72€
Space Between from Descendants 2 - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Film/TV
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Space Between from Descendants
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Musicnotes
Space Between - Music from the Original TV Movie Soundtrack Descendants 2 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloada...
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Space Between - Music from the Original TV Movie Soundtrack Descendants 2 Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice 1;Voice 2;Piano; 6 pages -- Movie/TV~~Teen Pop~~Soundtrack~~Musical
$5.50 ≈
5.13€
Space Between from Descendants 2 - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Space Between from Descendants
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Musicnotes
Space Between Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, i...
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Space Between Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice 1;Voice 2;Piano;Guitar; 6 pages -- Teen Pop~~Musical~~Movie/TV~~Soundtrack
$5.50 ≈
5.13€
Space Between by Christian Pearl - Piano Solo
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Piano seul
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Christian Pearl
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Space Between
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Musicnotes
Performed by: Christian Pearl: Space Between - from Descendants 2 Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instru...
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Performed by: Christian Pearl: Space Between - from Descendants 2 Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 3 pages -- Movie/TV~~Pop~~Solo Instrumental~~Teen Pop~~Instrumental Pop~~Soundtrack
$9.99 ≈
9.32€
The Space Between by Dave Matthews Band - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Rock Alternatif
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Dave Matthews Band
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The Space Between
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Musicnotes
Performed by: Dave Matthews Band: The Space Between Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet musi...
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Performed by: Dave Matthews Band: The Space Between Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 8 pages -- Adult Alternative~~Alternative Pop/Rock~~American Trad Rock~~Jam Band
$5.75 ≈
5.37€
The Space Between by Dave Matthews Band - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock Alternatif
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Dave Matthews Band
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The Space Between
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Musicnotes
Performed by: Dave Matthews Band: The Space Between Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet musi...
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Performed by: Dave Matthews Band: The Space Between Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Piano;Voice;Guitar; 4 pages -- Adult Alternative~~Alternative Pop/Rock~~American Trad Rock~~Jam Band
$5.50 ≈
5.13€
The Space Between by Michele McLaughlin - Piano Solo
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Piano seul
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New Age
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Michele McLaughlin
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The Space Between
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Musicnotes
Performed by: Michele McLaughlin: The Space Between Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, i...
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Performed by: Michele McLaughlin: The Space Between Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 7 pages -- New Age~~Solo Instrumental
$5.50 ≈
5.13€
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Space Between
